Fritz Werner started recording with the Heinrich-Schütz-Chor Heilbronn and the Pforzheim Chamber Orchestra a series that they called Les Grandes Cantates de J.S. He composed four such works in his third annual cycle, Selig ist der Mann, BWV 57 (1725), Liebster Jesu, mein Verlangen, BWV 32, Ich geh und suche mit Verlangen, BWV 49 (both 1726), and Ach Gott, wie manches Herzeleid, BWV 58 (1727).. Bach's four short masses are parodies of cantata movements; he used several movements of Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179, for two of them. Working for Leipzig's Thomaskirche and Nikolaikirche, it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thomanerchor and orchestra as part of the church service. It is sortable by the cantata number which equals the number in the Bach-Werke-Verzeichnis (BWV), by title, by occasion during the liturgical year, the year of composition and date of first performance, as far as known. "Grace in the Arts: / An Evangelical Musical Genius: / "J.S.B. II: Die geistlichen Kantaten vom 1. The basso continuo consists of a group of players, depending upon the scoring of the cantata and the performance location. Chorale cantatas between Trinity and Easter: Later additions to the chorale cantata cycle: church cantatas composed for occasions of the liturgical year, Learn how and when to remove this template message, Learn how and when to remove these template messages, personal reflection, personal essay, or argumentative essay, Church cantata (Bach) § History and context, Was mir behagt, ist nur die muntre Jagd, BWV 208, Lobet den Herrn, alle seine Heerscharen, BWV Anh. The Thomanerchor has sung a weekly cantata during the evening service Motette on Saturday. He probably composed his last cantata in 1745. In addition to the church cantatas composed for occasions of the liturgical year, Bach wrote sacred cantatas for functions like weddings or Ratswahl (the inauguration of a new town council). In movements with winds, a bassoon usually joins the continuo group. This is a sortable list of the Bach cantatas, the cantatas of Johann Sebastian Bach. In a satirical commentary, the cantata amusingly tells of an addiction to coffee. The scoring and finally his name appear in a mix of French and Italian, the common languages among musicians at the time, partly abbreviated.  Karl Richter called his choir programmatically Münchener Bach-Chor in 1954 and recorded about a third of the cantatas. Ob 2)Vl 2Va Vc Bas (Bc), chorale setting "Wie schön leuchtet der Morgenstern" (s. 4), satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc, satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc, chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 1), chorale setting "O Gottes Geist, mein Trost und Rat" (s. 9), chorale setting "Komm, Heiliger Geist, Herre Gott", chorale setting "Was alle Weisheit in der Welt" (s. 8), chorale setting "Christ unser Herr zum Jordan kam", chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 5), chorale setting "Ich armer Mensch, ich armer Sünder" (s. 1), chorale setting "Wer nur den lieben Gott lässt walten, chorale setting "Schmücke dich, o liebe Seele" (s. 9), chorale setting "Zeuch ein zu deinen Toren" (s. 5), chorale setting "Helft mir Gotts Güte preisen", chorale setting "O Herre Gott, dein göttlich Wort" (s. 8), chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 1), chorale setting "Singen wir aus Herzensgrund" (ss. Festive occasions call for richer instrumentation. The bass is often the vox Christi, the voice of Jesus, when Jesus is quoted directly, as in Es wartet alles auf dich, BWV 187, or indirectly, as in O Ewigkeit, du Donnerwort, BWV 60. おしゃべりはやめて、お静かに（独：Schweigt stille, plaudert nicht、別名：コーヒー・カンタータ、BWV 211）は、J. Model: "Coffee" Cantata by J. S. Bach The "Sanka" Cantata was the first P. D. Q. Bach piece that Peter Schickele "discovered," in 1954. For example, Gott ist mein König, BWV 71, was composed for the inauguration of the town council in 1708. BWV 81, Ich bin vergnügt mit meinem Glücke, BWV 84, Wahrlich, wahrlich, ich sage euch, BWV 86, Bisher habt ihr nichts gebeten in meinem Namen, BWV 87, Siehe, ich will viel Fischer aussenden, BWV 88, Was soll ich aus dir machen, Ephraim, BWV 89, Es reißet euch ein schrecklich Ende, BWV 90, Wer nur den lieben Gott läßt walten, BWV 93, Herr Christ, der einge Gottessohn, BWV 96, Nimm von uns, Herr, du treuer Gott, BWV 101, Herr, deine Augen sehen nach dem Glauben, BWV 102, Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105, Gottes Zeit ist die allerbeste Zeit, BWV 106, Es ist euch gut, daß ich hingehe, BWV 108, Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109, Was mein Gott will, das g'scheh allzeit, BWV 111, Herr Jesu Christ, du höchstes Gut, BWV 113, Ach, lieben Christen, seid getrost, BWV 114, Du Friedefürst, Herr Jesu Christ, BWV 116, Sei Lob und Ehr dem höchsten Gut, BWV 117, O Jesu Christ, meins Lebens Licht, BWV 118, Gott, man lobet dich in der Stille, BWV 120, Herr Gott, Beherrscher aller Dinge, BWV 120a, Gott, man lobet dich in der Stille, BWV 120b, Liebster Immanuel, Herzog der Frommen, BWV 123, Mit Fried und Freud ich fahr dahin, BWV 125, Erhalt uns, Herr, bei deinem Wort, BWV 126, Herr Jesu Christ, wahr' Mensch und Gott, BWV 127, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, Bereitet die Wege, bereitet die Bahn, BWV 132, Ein Herz, das seinen Jesum lebend weiß, BWV 134, Die Zeit, die Tag und Jahre macht, BWV 134a, Erforsche mich, Gott, und erfahre mein Herz, BWV 136, Lobe den Herren, den mächtigen König der Ehren, BWV 137, Warum betrübst du dich, mein Herz, BWV 138, Wohl dem, der sich auf seinen Gott, BWV 139, Nimm, was dein ist, und gehe hin, BWV 144, Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145, Herz und Mund und Tat und Leben, BWV 147a, Bringet dem Herrn Ehre seines Namens, BWV 148, Schau, lieber Gott, wie meine Feind, BWV 153, Mein liebster Jesus ist verloren, BWV 154, Ich lasse dich nicht, du segnest mich denn, BWV 157, Sehet, wir gehn hinauf gen Jerusalem, BWV 159, Ach! More songs from Johann Sebastian Bach More songs with beverages in the title More classical music compositions 16–18), chorale setting "Jesu, meiner Seelen Wonne" (s. 2), chorale setting "Werde munter, mein Gemüte", chorale setting "Meinen Jesum lass ich nicht, weil" (s. 6), chorale setting "Herr, wie du willt, so schicks mit mir" (s. 1), chorale setting "Christ lag in Todes Banden" (s. 5), chorale setting "Jesu Leiden, Pein und Tod" (s. 33), chorale setting "Herzlich tut mich verlangen" (s. 4), chorale setting "Herr Christ, der einge Gottes Sohn" (s. 5), chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 1), chorale setting "Nun bitten wir den Heiligen Geist" (s. 3), chorale setting "Jesu, nun sei gepreiset" (s. 2), (SATB) 3Tr Tmp (Fl? Bass, Rogers Covey-Crump - tenor Hannover and the Pforzheim Chamber Orchestra a series that they called Les Grandes de! ( public ) performance Musicus Wien which many have survived Glaubensbahn, BWV 208, in 1713 of silence arias... 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